Kitarō

I will remember today for the rest of my life. Because today, January 6th, 2010 is the day I found out about the Grammy and Golden Globe award-winning Japanese musician, composer and multi-instrumentalist Kitaro. For over 30 years Kitaro has delighted consumers with his new age, symphonic and synthesized messages of peace and spirituality. And now he is delighting me.

I first heard his music while watching the Japan Broadcasting Corporation’s fantastic documentary series on the Silk Road called “The Silk Road.” I kept thinking to myself, “Where did this music come from?” Well… it comes from Kitaro. Sort of.

“This music is not from my mind.” Kitaro says, ” t is from heaven, going through my body and out my fingers through composing. My fingers move. I wonder, ‘Whose song is this?’ I write my songs, but they are not my songs.” Well then whose songs are they Kitaro?

kitaru in concert

Point of View Camera. Awsome if you are.

Point of view cameras are awesome. If you do something awesome when you have them on. For instance, a movie of you going to the kitchen to get tea might not be that interesting. But tearing down a mountain on skis with a big kite on your back  makes for some awesome footage.

Dr. Jekyll and Mr. Hyde (1931) is known for being one of the first films to extensively use the POV shot. For the first

Qualcomm’s mirasol® butterfly Display Technology

Battery life is huge. I can’t use my iPhone all day without plugging it in… not as much as I like to anyway. And most of that battery power is used up by the screen. Which really, I need. But help is on the way. With a technology called interferometric modulation Qualcomm has developed a screen technology that uses very little battery power. What makes it even cooler is that Qualcomm developed this technology using Biomimetics… copying nature. Basically, they stole the idea from butterfly wings.

You’ve probably heard of the idea of biomimetics before. You remember those stories about how Velcro came from burrs (true)… and Kevlar bullet proof vests are based on spider webs (Wich isn’t true by the way; comparisons between Kevlar and spider silk  [gossamer] are warrented, but Kevlar was not directly developed through biomimicry.)

But the mirasol display IS based on butterfly wings. The video below tells more. Check it:

To learn more (you should always do that) click on this stuff.

Wikipedia article on biomimicry

Article on Biomimetics from National Geographic

Qualcomm Website – mirasol® Display Technology.

Nathaniel Dorsky, a ‘Buddhist Filmaker’

Devotional Cinema Click on Pic to buy from Amazon...

Devotional Cinema Click on Pic to buy from Amazon...

Nathaniel Dorsky is a San Francisco filmmaker who is interested in the quiet, meditative and transformative power film, and the way that, like prayer or mediation it can have an effect on the viewers health and well being.

His book, Devotional Cinema, is a short (54 pages) work that explores these themes with a focus on cinema, even though the greater message of the piece can be applied to any art or art making.

A few weeks ago I was lucky enough to attend a screening of a few of Dorsky’s works, at the Union Theatre at UWM. The screening, titled ” Three songs: Recent Films by Nathaniel Dorsky,” gave me a unique opportunity to experience the type of meditative work that Dorsky is known for.

The title of the screening was interesting in itself. Dorsky is known for working with silent films. The word song of course evokes music, and I was pleased to find that what I saw projected on the screen was, in a way, a kind of music… without notes, without sound.

Dorsky has often referred to his films as “poems.” …. this serves the pieces well as it evokes the rythyms and moods that the films create. Using the word songs suggests this in an even stronger way. And as I watched the “songs” I was able to enjoy them as just that.

The kind of music Dorsky makes comes from the variables in each frame. For example, instead of pitch, there is variation in depth. We are often looking upon images through things near, we may see a car traveling down a road through a dense thicket of vegitation, or objects with curtisns in the fire ground.. and then there are camera movents. Some swift, changing in different directions and along with the colors and textures the film begins to dance, like a symphony of vision that is so vivid you can almost hear it.

Of course, you can’t. Even so, with everything else going on the silence becomes such a part of the work that one can’t help but feel it was part of it’s creation. The silence becomes the contemplativeness, mindfulness and meditaion of the maker. A maker who, even in the fury of activity that was clearly immersed in a quiet and centered mode of creation. Zen filmaking that delivers a Zen film viewing, with a silece so deafening it almost makes a sound.

And in that silence you can feel connected with the maker, both in the act of creation, and the art of looking. You can feel connected with the people experiencing the films along with you, the sounds of breath, chairs creaking, and bodies shifting, until it all blends together, one experience shared between, maker, lookers and listeners, together during a powerful act of creation.

Patty Chang’s Fountain – It’s the sound that makes it happen…

The Haggerty Museum of art’s current exhibition, stop.look.listen (October 23, 2008 – February 22, 2009) is an interesting travel through some of the more adventurous artists in video and performance art currently working. One of these artists, Patty Chang, has developed a series of works that highlight where exactly our focus is drawn on within the piece itself (more on that some other time.)

One of her works, “Fountain” shows her and her mirror image seemingly facing each other. She leans forward, it would appear that she is going to kiss her self, but suddenly she begins to drink… because she is kneeling over a pan of water with a mirror in it she is able to slurp water out of it.


The sound carries the most weight.

The moments between the “kisses” are introspective. A person look upon their reflection in the mirror. The mood is set by the silence… we are left to be introspective as well. But as the reflections meet we are confronted with a new reality… the moment she begins to drink the piece becomes something else…  the introspection vanishes and we are suddenly removed to tangle with what’s and how’s of the video.

But without the sound this impact would be far less dramatic… we can hear her slurping up the water… and it is the suddenness of this aural event is the largest agent of change in our experience with the piece. In the image we can see the ripples begin to grow around her mouth, and the shape of the mouth itself are an indication of what is going on, but the sound itself, breaking the complete silence adds a weight to the  change that the visuals could not, and do not deliver on their own.

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